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Free sex webcam chat with janet jackson

Free sex webcam chat with janet jackson

Edit "If" takes place in an Asian nightclub which appears to be a brothel, with futuristic touch-screen technology and spy cameras used to monitor the intimate interactions of patrons within their private boudoirs being displayed. In the iconic video clip, Jackson is portrayed as the main object of desire in the nightclub, with patrons observing her through web cameras after saying the correct password to enter the hidden function.

The video is an elaborate metaphor for the single's message of sexual fantasy, desire and voyeurism. Its choreography and main dance sequence is infamous for its complexity, as well as Jackson's revealing outfit and sexier appearance. The video's sexual theme was a stark contrast from Jackson's previous work, which was previously unexplored in her videos and was still considered to be controversial for females in pop culture to portray at the time of its release.

It was choreographed by Tina Landon and Jackson, with additional choreography by Omar Lopez and Keith Williams for the instrumental breakdown. An alternate version of the video known as the "All Dance Version" omits many of the various club patron scenes and focuses solely on Jackson's dance performance. The video appears on Jackson's video compilation From Janet. The extended alternate version of "If" known as the "All Dance Version", which focuses on Jackson's dance performance, was exclusively released on the Janet.

Behind the scenes footage of the dance rehearsals and making of the "If" video were included on the Janet. When asked to describe the hypothetical feel of the "If" video during a behind the scenes segment shown on MTV, Jackson stated "You're in China, in a club in the future - but not space or anything like that.

You're in a club of Asian people, it's very hot, and you're the only foreigners here. There are monitors everywhere in the club, and it's kind of like teleconferencing where you'll have us dancing on stage and people may be watching us on a certain monitor, and if you're looking at that monitor at the same time someone's watching us, we can actually communicate.

So it goes like that throughout the video with different people, you can actually look at the monitor and catch two people kind of getting into it, and they can look into the same monitor noticing that you're watching and kind of continuing to get even hotter.

The video opens with a moonlit scene of an woman wearing a Kimono walking towards a building in an Asian village late at night, while horns and chimes are heard in the background. A man accompanied by another woman is seen yelling obscenities at a large red door, demanding to be let into the building to no avail.

The man tries to bribe his way inside but quickly follows the woman who appears frustrated and angrily flees the scene. The woman in the Kimono walks to the front door, looks into a hidden camera and says the correct password "If" while a man operating the door from the inside, garnished with long, sharp fingernails and white body paint with black facial accents, types an access code and blissfully grants her access to the festivities.

The inside of the bordello is then shown as a green light turns on, signaling the club's workers to lower the male dancers from the ceiling, who descend upside down on ropes in a winding fashion simulating a corkscrew. The woman is then shown entering the club and pays the man operating the door a form of currency, who graciously accepts it. A wider view of the club is then revealed, with club patron watching the stage as female dancers perform and bright strobe lights are emitted from the middle of the platform.

Various scenes of the people attending the club are shown through monitors similar to web cameras, which were unavailable at the time. Multiple screens are shown at once, and a man watching some of the other patron on the monitor uses the futuristic touch-screen to select the view of the performance on the main stage. The doors in the middle of the platform rapidly open as Jackson descends the stairs and enters the main stage, surrounded by blowing red fabric and a radiant white light.

The club patron begin to focus on the stage as the video's dance routine begins, specifically the man watching through one of the monitors. Close up shots of Jackson are then shown, with her outfit of a black and white top, black pants and choker then revealed. She focuses solely on the man in the audience watching her through the monitor as she continues performing the song, as various club workers are shown serving guests, dancing and observing the routine.

A man in the audience uses a cane to select another view of the performance as a woman seated with other guests is seen sensually watching a man on one of the monitors.

The man extends his hand and simulates kissing her through the screen, as three women in high fashion outfits are shown walking through the club and observing the men in attendance. The man in the audience is again shown watching Jackson through the monitor, admiring her performance as Jackson moves closer to the front of the platform and performs sexually suggestive choreography.

Jackson dances with a male dancer as the three women are shown selecting various views of the club through one of the monitors with their feet. Another woman is then shown throwing a man down on a bed in a secluded room, quickly closing the door. As Jackson continues entertaining the crowd, the woman who was originally shown entering the bordello is again seen walking through the event, quickly paying one of the guards to allow her into the private sector of the club.

Jackson continues the routine as additional scenes on a monitor are briefly seen. This leads into the video's iconic choreographed breakdown, which became one of the most infamous dance breakdowns and music video scenes in pop culture.

Jackson performs the complex routine as angles switch multiple times to show the platform from various parts of the stage. Scenes of a woman undressing are briefly shown on a monitor during the breakdown as a man caresses the screen. Jackson continues the intricate dance as she smiles into the monitor, while a woman is shown touching the image of a man's faces on another screen. Another woman is then shown on a webcam, becoming aroused as she observes a couple engaging in sexual activity.

The video's ending dance sequence then begins, with Jackson grabbing a male dancer's crotch region, simulating oral sex, before placing him on the floor and bending him over. Jackson continues to seductively watch the man in the audience as she performs, kneeling before the male dancer and then lowering him to floor. The video ends with the man in the audience passionately touching an image of Jackson's face on the monitor, as the woman who was shown entering the club is then seen exiting the bordello and walking towards the village.

Critical receptoin Edit A review of the original video, which noted it to have a Blasian theme, remarked "the Blasian version is richer in depth, and actually makes a lot more sense when you consider Jackson's body language, the atmosphere and her smoldering off-stage eye contact. With the Blasian version, you actually get to see who she has the hots for 'cause it certainly ain't the guy she's dancing with , and let's just say that when you see him, the words in the song suddenly make a lot more sense.

Described by Jackson as "a female fantasy", David Ritz of Rolling Stone commented on the video as it was being filmed, exclaiming "There are tantalizing bodies inches from my eyes. There is choreographed mock-cunnilingus. There is the phenomenon of Janet, off camera, watching herself being watched in this video of watchers, while another film crew makes a video on the making of the video. The music is pumping, the message obvious as an orgasm. She's flanked by several other women, all clad in black and lace, and the same number of black-clad men.

She's doing one of those gang unison dances that she often does in her videos, while a thunderous track blasts over the sound system. She's being sexy, wiggling her hips and running her arms down her sides. But - in a striking departure from the MO of her big brother Michael - she is not grabbing her crotch.

In fact, Janet Jackson is grabbing somebody else's crotch. His name is Omar Lopez. A lithe young man with a shaved head, clad in tight jeans and a leather vest, he's Janet's partner in this song. Which, in the video to "If" - an overheated sexual fantasy as explicit as anything to come from this family since La Toya's famous Playboy layout - means he's getting grabbed, pawed and shoved around.

Lopez stands in front of Jackson, his back to her, and she drops down, reaches through his legs and grabs his crotch. Then she swings him around, seizes his head and pulls it down to her own crotch. Forget about that seven-year-old girl who used to do Mae West impersonations in her family's Las Vegas act, never mind the pubescent star of Good Times and Diff'rent Strokes, and ignore the demure young woman whose musical message to a would-be lover used to be "Let's Wait Awhile.

Janet Jackson has grown up. This was a liberated Janet, who flirted with eroticism but steered clear of moves that would be considered pornographic. They're not dirty, they're very sexy. And just by you being my mother, I'd be embarrassed.

The transformation was dramatic. I felt freer and happier and willing to explore those feelings. And I wanted to sing about it, I wanted to put my experiences into my music and be honest. I also found a discipline I didn't have earlier. I was focused, I could diet and exercise and work harder than ever before.

I'm never completely comfortable being photographed or filmed, but, after all my hard work, I felt more confident about my appearance. I was losing my shyness. Video legacy Edit The "If" video is considered iconic for being innovative and leading many trends with its portrayal of then-unavailable technology, cutting-edge and complex choreography, transition of Jackson's image to an edgier style, modern club setting, and midriff-baring and cultural fashion and influence.

Neon Hitch included "If" in a list of her "favorite sexy music videos", saying "You know you have tried to do that dance sequence in your mirror over and over again. The "If" video was the first music video which dancer and choreographer Jamie King appeared in. Also noting Jackson's overall influence on pop culture, the video was exclaimed to be an "iconic legendary brilliance", adding "Women want to be her. The gays want to be like her.

Men want to do morally questionable things to her. The Asian theme in the "If" video, referred to as a "prominent mainstream piece of Japanica", was later attempted by Gwen Stefani and her former backing dancers known as the "Harajuku Girls" during the promotion and video releases from her Love.

Image transition Edit Beginning with the "Control" album in which Janet took authority of her career by abandoning her former bubblegum pop sound and returning with a new style , the sexier image she first portrayed in the "Love Will Never Do Without You " video, and the Janet. The New York Times exclaimed "Ms. Jackson more or less invented the teen-pop makeover, blazing the trail that Usher and Ms.

Until that time, Janet had a relatively squeaky clean image, never showing much skin except for her video for "Love Will Never Do Without You ", which bared her midriff and rarely sang about sexual desires until this release which was dubbed as her "Sexual Awakening". In its place were midriff baring tops and chokers. And in some instances, nothing at all.

Recalling the video's release, Hiko Mitsuzuka of pop culture blog The First Echo said "The music video was a piece of pop culture that left its imprint on my impressionable year-old mind. It was perhaps the first time I saw abs on a female singer. Who knew women could flaunt them just as much as the guys?

Six-pack stomachs didn't just belong to Marky Mark and any given hunk on Melrose Place anymore. Janet oozed sex, and most of it came out in this provocative visual treatment.

I remember my inexperienced year-old self asking, "Is this even allowed on VH1? Us Weekly also considered the video to be unexpected and a complete change for Janet, saying "Forget about that seven-year-old girl who used to do Mae West impersonations in her family's Las Vegas act, never mind the pubescent star of Good Times and Diff'rent Strokes, and ignore the demure young woman whose musical message to a would-be lover used to be "Let's Wait Awhile.

The video featured futuristic technology, specifically high definition touch screens. I wanted the actors in the video to use these screens to communicate, and relate with each other in the clubs. Similar to what we all do with our smart phones and tablets today.

As I look at our lives now, it seems that life is imitating art. Someone was ahead of her time. Other scenes, such as the male dancers being lowered from the ceiling on hooks while upside down, are also notable and have been influential in pop culture.

Although infamous for her innovative and prodigious dance routines, the choreography in the "If" video remains one of the most acclaimed and heralded dance performances of all time. In a review of the twentieth anniversary of the song and the Janet.

That dance breakdown felt like it was building a temple to Janet, shoulder blade by shoulder blade.

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Free sex webcam chat with janet jackson

Edit "If" takes place in an Asian nightclub which appears to be a brothel, with futuristic touch-screen technology and spy cameras used to monitor the intimate interactions of patrons within their private boudoirs being displayed. In the iconic video clip, Jackson is portrayed as the main object of desire in the nightclub, with patrons observing her through web cameras after saying the correct password to enter the hidden function.

The video is an elaborate metaphor for the single's message of sexual fantasy, desire and voyeurism. Its choreography and main dance sequence is infamous for its complexity, as well as Jackson's revealing outfit and sexier appearance. The video's sexual theme was a stark contrast from Jackson's previous work, which was previously unexplored in her videos and was still considered to be controversial for females in pop culture to portray at the time of its release.

It was choreographed by Tina Landon and Jackson, with additional choreography by Omar Lopez and Keith Williams for the instrumental breakdown. An alternate version of the video known as the "All Dance Version" omits many of the various club patron scenes and focuses solely on Jackson's dance performance. The video appears on Jackson's video compilation From Janet. The extended alternate version of "If" known as the "All Dance Version", which focuses on Jackson's dance performance, was exclusively released on the Janet.

Behind the scenes footage of the dance rehearsals and making of the "If" video were included on the Janet. When asked to describe the hypothetical feel of the "If" video during a behind the scenes segment shown on MTV, Jackson stated "You're in China, in a club in the future - but not space or anything like that. You're in a club of Asian people, it's very hot, and you're the only foreigners here. There are monitors everywhere in the club, and it's kind of like teleconferencing where you'll have us dancing on stage and people may be watching us on a certain monitor, and if you're looking at that monitor at the same time someone's watching us, we can actually communicate.

So it goes like that throughout the video with different people, you can actually look at the monitor and catch two people kind of getting into it, and they can look into the same monitor noticing that you're watching and kind of continuing to get even hotter. The video opens with a moonlit scene of an woman wearing a Kimono walking towards a building in an Asian village late at night, while horns and chimes are heard in the background.

A man accompanied by another woman is seen yelling obscenities at a large red door, demanding to be let into the building to no avail. The man tries to bribe his way inside but quickly follows the woman who appears frustrated and angrily flees the scene. The woman in the Kimono walks to the front door, looks into a hidden camera and says the correct password "If" while a man operating the door from the inside, garnished with long, sharp fingernails and white body paint with black facial accents, types an access code and blissfully grants her access to the festivities.

The inside of the bordello is then shown as a green light turns on, signaling the club's workers to lower the male dancers from the ceiling, who descend upside down on ropes in a winding fashion simulating a corkscrew. The woman is then shown entering the club and pays the man operating the door a form of currency, who graciously accepts it.

A wider view of the club is then revealed, with club patron watching the stage as female dancers perform and bright strobe lights are emitted from the middle of the platform. Various scenes of the people attending the club are shown through monitors similar to web cameras, which were unavailable at the time.

Multiple screens are shown at once, and a man watching some of the other patron on the monitor uses the futuristic touch-screen to select the view of the performance on the main stage. The doors in the middle of the platform rapidly open as Jackson descends the stairs and enters the main stage, surrounded by blowing red fabric and a radiant white light. The club patron begin to focus on the stage as the video's dance routine begins, specifically the man watching through one of the monitors.

Close up shots of Jackson are then shown, with her outfit of a black and white top, black pants and choker then revealed. She focuses solely on the man in the audience watching her through the monitor as she continues performing the song, as various club workers are shown serving guests, dancing and observing the routine. A man in the audience uses a cane to select another view of the performance as a woman seated with other guests is seen sensually watching a man on one of the monitors.

The man extends his hand and simulates kissing her through the screen, as three women in high fashion outfits are shown walking through the club and observing the men in attendance. The man in the audience is again shown watching Jackson through the monitor, admiring her performance as Jackson moves closer to the front of the platform and performs sexually suggestive choreography.

Jackson dances with a male dancer as the three women are shown selecting various views of the club through one of the monitors with their feet.

Another woman is then shown throwing a man down on a bed in a secluded room, quickly closing the door. As Jackson continues entertaining the crowd, the woman who was originally shown entering the bordello is again seen walking through the event, quickly paying one of the guards to allow her into the private sector of the club. Jackson continues the routine as additional scenes on a monitor are briefly seen. This leads into the video's iconic choreographed breakdown, which became one of the most infamous dance breakdowns and music video scenes in pop culture.

Jackson performs the complex routine as angles switch multiple times to show the platform from various parts of the stage. Scenes of a woman undressing are briefly shown on a monitor during the breakdown as a man caresses the screen. Jackson continues the intricate dance as she smiles into the monitor, while a woman is shown touching the image of a man's faces on another screen.

Another woman is then shown on a webcam, becoming aroused as she observes a couple engaging in sexual activity. The video's ending dance sequence then begins, with Jackson grabbing a male dancer's crotch region, simulating oral sex, before placing him on the floor and bending him over. Jackson continues to seductively watch the man in the audience as she performs, kneeling before the male dancer and then lowering him to floor.

The video ends with the man in the audience passionately touching an image of Jackson's face on the monitor, as the woman who was shown entering the club is then seen exiting the bordello and walking towards the village. Critical receptoin Edit A review of the original video, which noted it to have a Blasian theme, remarked "the Blasian version is richer in depth, and actually makes a lot more sense when you consider Jackson's body language, the atmosphere and her smoldering off-stage eye contact.

With the Blasian version, you actually get to see who she has the hots for 'cause it certainly ain't the guy she's dancing with , and let's just say that when you see him, the words in the song suddenly make a lot more sense. Described by Jackson as "a female fantasy", David Ritz of Rolling Stone commented on the video as it was being filmed, exclaiming "There are tantalizing bodies inches from my eyes.

There is choreographed mock-cunnilingus. There is the phenomenon of Janet, off camera, watching herself being watched in this video of watchers, while another film crew makes a video on the making of the video. The music is pumping, the message obvious as an orgasm. She's flanked by several other women, all clad in black and lace, and the same number of black-clad men.

She's doing one of those gang unison dances that she often does in her videos, while a thunderous track blasts over the sound system. She's being sexy, wiggling her hips and running her arms down her sides. But - in a striking departure from the MO of her big brother Michael - she is not grabbing her crotch.

In fact, Janet Jackson is grabbing somebody else's crotch. His name is Omar Lopez. A lithe young man with a shaved head, clad in tight jeans and a leather vest, he's Janet's partner in this song. Which, in the video to "If" - an overheated sexual fantasy as explicit as anything to come from this family since La Toya's famous Playboy layout - means he's getting grabbed, pawed and shoved around.

Lopez stands in front of Jackson, his back to her, and she drops down, reaches through his legs and grabs his crotch. Then she swings him around, seizes his head and pulls it down to her own crotch. Forget about that seven-year-old girl who used to do Mae West impersonations in her family's Las Vegas act, never mind the pubescent star of Good Times and Diff'rent Strokes, and ignore the demure young woman whose musical message to a would-be lover used to be "Let's Wait Awhile.

Janet Jackson has grown up. This was a liberated Janet, who flirted with eroticism but steered clear of moves that would be considered pornographic. They're not dirty, they're very sexy. And just by you being my mother, I'd be embarrassed. The transformation was dramatic. I felt freer and happier and willing to explore those feelings.

And I wanted to sing about it, I wanted to put my experiences into my music and be honest. I also found a discipline I didn't have earlier. I was focused, I could diet and exercise and work harder than ever before. I'm never completely comfortable being photographed or filmed, but, after all my hard work, I felt more confident about my appearance.

I was losing my shyness. Video legacy Edit The "If" video is considered iconic for being innovative and leading many trends with its portrayal of then-unavailable technology, cutting-edge and complex choreography, transition of Jackson's image to an edgier style, modern club setting, and midriff-baring and cultural fashion and influence. Neon Hitch included "If" in a list of her "favorite sexy music videos", saying "You know you have tried to do that dance sequence in your mirror over and over again.

The "If" video was the first music video which dancer and choreographer Jamie King appeared in. Also noting Jackson's overall influence on pop culture, the video was exclaimed to be an "iconic legendary brilliance", adding "Women want to be her.

The gays want to be like her. Men want to do morally questionable things to her. The Asian theme in the "If" video, referred to as a "prominent mainstream piece of Japanica", was later attempted by Gwen Stefani and her former backing dancers known as the "Harajuku Girls" during the promotion and video releases from her Love. Image transition Edit Beginning with the "Control" album in which Janet took authority of her career by abandoning her former bubblegum pop sound and returning with a new style , the sexier image she first portrayed in the "Love Will Never Do Without You " video, and the Janet.

The New York Times exclaimed "Ms. Jackson more or less invented the teen-pop makeover, blazing the trail that Usher and Ms. Until that time, Janet had a relatively squeaky clean image, never showing much skin except for her video for "Love Will Never Do Without You ", which bared her midriff and rarely sang about sexual desires until this release which was dubbed as her "Sexual Awakening".

In its place were midriff baring tops and chokers. And in some instances, nothing at all. Recalling the video's release, Hiko Mitsuzuka of pop culture blog The First Echo said "The music video was a piece of pop culture that left its imprint on my impressionable year-old mind.

It was perhaps the first time I saw abs on a female singer. Who knew women could flaunt them just as much as the guys? Six-pack stomachs didn't just belong to Marky Mark and any given hunk on Melrose Place anymore. Janet oozed sex, and most of it came out in this provocative visual treatment. I remember my inexperienced year-old self asking, "Is this even allowed on VH1?

Us Weekly also considered the video to be unexpected and a complete change for Janet, saying "Forget about that seven-year-old girl who used to do Mae West impersonations in her family's Las Vegas act, never mind the pubescent star of Good Times and Diff'rent Strokes, and ignore the demure young woman whose musical message to a would-be lover used to be "Let's Wait Awhile.

The video featured futuristic technology, specifically high definition touch screens. I wanted the actors in the video to use these screens to communicate, and relate with each other in the clubs. Similar to what we all do with our smart phones and tablets today. As I look at our lives now, it seems that life is imitating art. Someone was ahead of her time. Other scenes, such as the male dancers being lowered from the ceiling on hooks while upside down, are also notable and have been influential in pop culture.

Although infamous for her innovative and prodigious dance routines, the choreography in the "If" video remains one of the most acclaimed and heralded dance performances of all time. In a review of the twentieth anniversary of the song and the Janet. That dance breakdown felt like it was building a temple to Janet, shoulder blade by shoulder blade.

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5 Comments

  1. The video's dance routine also took the career of choreographer Tina Landon to new heights. I remember my inexperienced year-old self asking, "Is this even allowed on VH1?

  2. Although infamous for her innovative and prodigious dance routines, the choreography in the "If" video remains one of the most acclaimed and heralded dance performances of all time. With the Blasian version, you actually get to see who she has the hots for 'cause it certainly ain't the guy she's dancing with , and let's just say that when you see him, the words in the song suddenly make a lot more sense. She focuses solely on the man in the audience watching her through the monitor as she continues performing the song, as various club workers are shown serving guests, dancing and observing the routine.

  3. The video featured futuristic technology, specifically high definition touch screens. The man in the audience is again shown watching Jackson through the monitor, admiring her performance as Jackson moves closer to the front of the platform and performs sexually suggestive choreography.

  4. In its place were midriff baring tops and chokers. Consider any of Beyonce's videos. The man extends his hand and simulates kissing her through the screen, as three women in high fashion outfits are shown walking through the club and observing the men in attendance.

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