Not all gladiators were brought to the arena in chains. While most early combatants were conquered peoples and slaves who had committed crimes, grave inscriptions show that by the 1st century A. Lured by the thrill of battle and the roar of the crowds, scores of free men began voluntarily signing contracts with gladiator schools in the hope of winning glory and prize money.
These freelance warriors were often desperate men or ex-soldiers skilled in fighting, but some were upper-class patricians, knights and even senators eager to demonstrate their warrior pedigree. Gladiatorial bouts were originally part of funeral ceremonies. Many ancient chroniclers described the Roman games as an import from the Etruscans, but most historians now argue that gladiator fights got their start as a blood rite staged at the funerals of wealthy nobles.
When distinguished aristocrats died, their families would hold graveside bouts between slaves or condemned prisoners as a kind of macabre eulogy for the virtues the person had demonstrated in life. The funeral games later increased in scope during the reign of Julius Caesar, who staged bouts between hundreds of gladiators in honor of his deceased father and daughter. The spectacles proved hugely popular, and by the end of the 1st century B.
Hollywood movies and television shows often depict gladiatorial bouts as a bloody free-for-all, but most fights operated under fairly strict rules and regulations. Contests were typically single combat between two men of similar size and experience. Referees oversaw the action, and probably stopped the fight as soon as one of the participants was seriously wounded. A match could even end in a stalemate if the crowd became bored by a long and drawn out battle, and in rare cases, both warriors were allowed to leave the arena with honor if they had put on an exciting show for the crowd.
Since gladiators were expensive to house, feed and train, their promoters were loath to see them needlessly killed. Trainers may have taught their fighters to wound, not kill, and the combatants may have taken it upon themselves to avoid seriously hurting their brothers-in-arms.
Nevertheless, the life of a gladiator was usually brutal and short. Most only lived to their mids, and historians have estimated that somewhere between one in five or one in 10 bouts left one of its participants dead. If a gladiator was seriously wounded or threw down his weapon in defeat, his fate was left in the hands of the spectators. In contests held at the Colosseum, the emperor had the final say in whether the felled warrior lived or died, but rulers and fight organizers often let the people make the decision.
Some historians think the sign for death may have actually been the thumbs up, while a closed fist with two fingers extended, a thumbs down, or even a waved handkerchief might have signaled mercy.
They were organized into different classes and types. By the time the Colosseum opened in 80 A. Fighters were placed in classes based on their record, skill level and experience, and most specialized in a particular fighting style and set of weaponry.
These warriors tried to ensnare their opponents with their net before moving in for the kill, but if they failed, they were left almost entirely defenseless. They only rarely fought against animals.
The Colosseum and other Roman arenas are often associated with gruesome animal hunts, but it was uncommon for the gladiators to be involved. Nine thousand animals were slain during a day ceremony to mark the opening of the Colosseum, and another 11, were later killed as part of a day festival held by the Emperor Trajan in the 2nd century A.
While most animals were merely slaughtered for sport, others were trained to do tricks or even pitted against one another in fights. Wild animals also served as a popular form of execution.
Women also fought as gladiators. Female slaves were regularly condemned to the arena alongside their male counterparts, but a few citizens took up the sword of the own free will. Historians are not sure when women first suited up to fight as gladiators, but by the 1st century A.
These lady warriors may not have been taken seriously in the patriarchal Roman culture—the Emperor Domitian enjoyed pitting women against dwarves—but a few appear to have proven themselves in single combat.
A marble relief dating to around the 2nd century A. Women also joined in the animal hunts, but their stint in the arena may have come to an end around A. Some gladiators organized themselves into trade unions. When a warrior fell in battle, these groups would ensure that their comrade received a proper funeral and grave inscription honoring his achievements in the arena.
If the deceased had a wife and children, they would also see that the family received monetary compensation for their loss. Several Roman emperors participated in staged gladiatorial bouts. Hosting gladiator games was an easy way for Roman emperors to win the love of the people, but a few took it a step further and actually participated in combat.
Several rulers performed in the arena including Caligula, Titus and Hadrian—though most likely under highly controlled conditions or with dull blades. A deadeye with a spear, the deranged Emperor Commodus often tried to wow the crowds by killing bears and panthers from the safety of a raised platform. He also competed in a few gladiator fights, though usually against inexperienced fighters or even terrified and poorly armed members of the audience.
When he inevitably won the contests, Commodus made sure to reward himself with the massive sum of one million Roman sesterces. Gladiators often became celebrities and sex symbols. Though often dismissed as uncivilized brutes by Roman historians, the gladiators won massive fame among the lower classes. Their portraits graced the walls of many public places; children played with gladiator action figures made of clay; and the most successful fighters even endorsed products just like the top athletes of today.
They were also renowned for their ability to make Roman women swoon.